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Sans Superellipse Gedup 5 is a very bold, narrow, low contrast, italic, normal x-height font visually similar to 'Laqonic 4F' by 4th february, 'Albireo' by Cory Maylett Design, 'Kuunari' by Melvastype, 'Ordax' by The Northern Block, 'Manual' by TypeUnion, and 'Folio' by URW Type Foundry (names referenced only for comparison).

Keywords: sports branding, posters, headlines, packaging, apparel, athletic, urgent, industrial, retro, impact, speed, space-saving, branding, condensed, oblique, compact, forceful, blocky.


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This typeface is a compact, heavy, oblique sans with tightly controlled curves and rounded-rectangle construction. Strokes stay largely uniform, with broad, ink-trap-free joins and squared terminals softened by rounded corners. Counters are small and enclosed forms (like O, P, R, a, e) read as dense and sturdy, while diagonals (V, W, X, Y) and angled stems create a fast, forward rhythm. The lowercase is utilitarian and compact, with single-storey a and g, short extenders, and a sturdy, upright-dot i that remains clear at bold sizes. Numerals follow the same blocky, condensed logic for strong headline consistency.

Well suited for sports branding, team or event graphics, punchy posters, product packaging, and apparel marks where bold, slanted lettering needs to read quickly. It performs best in short headlines, labels, and callouts, and can also work for emphatic UI banners or category headers when spacing is opened slightly.

The overall tone is assertive and kinetic, with a slanted stance that suggests speed, pressure, and momentum. Its dense silhouettes and compact spacing feel functional and tough, leaning toward sporty and industrial messaging rather than refined editorial warmth.

The design appears intended to deliver maximum impact in a condensed footprint, pairing rounded-rectangular forms with an oblique stance to communicate speed and strength. It prioritizes bold presence and compact readability for display-driven typography.

At larger sizes the rounded-rectangle geometry becomes a key signature, giving the font a cohesive, engineered look. In longer lines the heavy weight and tight counters can create a dark texture, so generous tracking and line spacing can help maintain clarity.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸