Sans Contrasted Nomep 3 is a regular weight, narrow, medium contrast, upright, normal x-height font.
Keywords: branding, packaging, posters, headlines, ui labels, friendly, quirky, casual, lively, humanist, approachability, modern warmth, text-plus-display, distinct voice, rounded, tapered terminals, soft corners, open apertures, compact caps.
This typeface shows a compact, slightly condensed overall build with gently irregular, human-drawn geometry. Strokes exhibit noticeable modulation, with rounded joins and subtly tapered terminals that soften the silhouettes. Curves are generous and slightly asymmetric, giving letters like C, S, and G an organic rhythm, while verticals remain steady enough to keep text orderly. Counters are open and clear, and the lowercase maintains a straightforward, single-storey feel where shown (notably the g), contributing to an approachable texture in continuous reading.
It works well for brand identities and packaging where a personable, modern tone is desirable, and for posters or headline settings that benefit from a lively, compact presence. The open shapes also make it a solid option for short UI labels, pull quotes, and editorial subheads where warmth and legibility should coexist.
The tone is warm and informal, balancing clarity with a hint of playfulness. Its modest quirks and soft stroke endings feel personable rather than technical, suggesting a friendly voice suited to conversational messaging. Overall it reads as contemporary and upbeat, without becoming overtly decorative.
The design appears intended to deliver a clean sans foundation while introducing hand-touched modulation and softened terminals to avoid a purely utilitarian feel. It aims for readability in text while giving display sizes extra character through subtle irregularity and contrast.
In the sample text, the narrow set and slightly uneven stroke energy create an active line rhythm, especially in mixed-case passages. Numerals follow the same softened, tapered logic, helping them blend naturally with text rather than standing apart as rigid figures.