Sans Superellipse Byniw 7 is a very light, narrow, low contrast, upright, normal x-height font.
Keywords: headlines, posters, branding, ui labels, packaging, futuristic, minimal, technical, clean, sleek, modern ui, sci‑fi feel, geometric system, display clarity, brand distinctiveness, monoline, rounded, condensed, geometric, modular.
A monoline geometric sans built from straight segments and rounded-rectangle curves. Corners are consistently softened, producing a superellipse feel in bowls and counters, while diagonals stay crisp and finely drawn. Proportions are condensed with generous vertical reach, and many letters use open, simplified constructions that keep the rhythm airy. Numerals follow the same rounded-rect geometry, with squared-off curves and compact widths, maintaining a uniform, engineered cadence across the set.
Best suited to display typography where its condensed geometry and rounded-rectangle forms can be appreciated—headlines, posters, tech branding, and product wordmarks. It can also work for short UI labels, wayfinding, and packaging callouts where a sleek, modern tone is desired. In longer passages, it will read more like a stylized voice font than a neutral text face.
The overall tone reads futuristic and technical, with a restrained, minimalist personality. Its rounded corners temper the geometry, giving it a friendly, device-like polish rather than a cold industrial edge. The light stroke and narrow stance convey precision and modernity, echoing sci‑fi interfaces and contemporary product UI aesthetics.
The design appears intended to deliver a contemporary, interface-forward sans that combines strict geometry with softened corners for a refined, approachable tech look. Its simplified constructions and consistent rounding prioritize a coherent system feel, aiming for distinctive display impact while staying clean and legible at larger sizes.
Curves tend to resolve into rounded corners rather than continuous circular arcs, creating a distinctive modular look. Apertures are relatively open and terminals are cleanly cut, supporting clarity despite the condensed proportions. The sample text shows an even texture at larger sizes, with a subtle, schematic feel in long lines.