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Free for Commercial Use

Sans Other Rerak 7 is a bold, normal width, monoline, upright, normal x-height font.

Keywords: headlines, posters, branding, packaging, game ui, industrial, techno, angular, retro, mechanical, display impact, tech aesthetic, modular geometry, logo design, chiseled, condensed feel, faceted, geometric, hard-edged.


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This typeface is built from straight, monoline strokes with sharply cut terminals and a consistent, faceted geometry. Curves are largely avoided in favor of squared counters and notched corners, producing a rigid, constructed silhouette across both cases. The uppercase has a tall, compact stance, while the lowercase echoes the same rectilinear logic with simplified bowls and angled shoulders. Figures follow the same approach, mixing squared forms with occasional diagonal cuts that add rhythm without breaking the overall uniform stroke behavior.

It performs best in headlines, logos, and short display lines where its hard-edged construction can be appreciated. The squared counters and uniform stroke weight make it suitable for tech, industrial, or gaming-oriented branding, as well as packaging and signage that benefits from a bold, mechanical voice. For longer paragraphs, it’s likely most effective when set with generous tracking and ample line spacing.

The overall tone is assertive and engineered, with a distinctly techno/industrial character. Its angular construction and stencil-like cuts suggest a utilitarian, machine-made sensibility that can read as retro-futuristic depending on context. The strong, blocky rhythm gives it an energetic, game-like presence in display settings.

The design intention appears to be a constructed sans with a deliberately angular, cut-metal aesthetic—prioritizing impact, stylized geometry, and a consistent modular system over traditional rounded forms. The notches and diagonal trims add signature character while maintaining a cohesive, engineered feel across letters and numerals.

The design leans on internal rectangular counters (notably in letters like A, B, D, O, P, R) and uses asymmetric diagonal trimming on some terminals, which creates a forward-leaning tension even while remaining upright. Spacing appears intentionally open in the sample text, helping the dense black shapes breathe at larger sizes.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸