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Free for Commercial Use

Print Rimor 3 is a very bold, narrow, low contrast, italic, normal x-height font visually similar to 'European Sans Pro' by Bülent Yüksel, 'Core Sans DS' by S-Core, and 'Artico' by cretype (names referenced only for comparison).

Keywords: headlines, posters, packaging, logos, stickers, playful, friendly, retro, casual, lively, approachability, impact, handmade feel, cheerful tone, rounded, bouncy, chunky, soft terminals, compact.


Free for commercial use
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This typeface uses thick, rounded strokes with soft terminals and a consistent slanted stance. Letterforms are compact with gently inflated curves and occasional teardrop-like joins that create a bouncy rhythm across words. Counters are small but open enough to keep forms recognizable, and the overall silhouette stays smooth and brush-like rather than rigid or geometric. The numerals match the letters with heavy, rounded shapes and a similarly upbeat, handwritten feel.

Best suited for headlines, short slogans, posters, and packaging where a bold, friendly handwritten voice is desirable. It can work well for logos and product marks that want a casual, approachable personality, and for promotional graphics where strong word shapes need to stand out at a glance.

The overall tone is cheerful and informal, with a slightly retro, sign-painter energy. Its springy curves and confident, heavy strokes read as approachable and fun rather than serious or technical. The consistent slant and rounded detailing add a sense of motion, making lines feel energetic and conversational.

The design appears intended to mimic a confident hand-painted or marker-lettered style with a smooth, rounded finish. Its compact proportions and consistent slant prioritize impact and personality, aiming for an upbeat display look that feels informal and inviting.

Spacing appears fairly tight and the heavy strokes create strong word shapes, which helps in short bursts but can feel dense in long passages. The uppercase and lowercase share a unified, playful construction, and the brush-like modulation is more about softened shaping than visible contrast.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸