Sans Superellipse Idrev 14 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'FS Jack' by Fontsmith, 'American Auto' by Miller Type Foundry, 'Fact' by ParaType, and 'Plau Redonda' by Plau (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, logos, friendly, playful, punchy, retro, chunky, impact, approachability, display, retro flavor, clarity, rounded, soft corners, compact, high-impact, sturdy.
A heavy, rounded sans with superellipse-like curves and softened corners that keep counters open despite the dense weight. Strokes are consistently thick with minimal modulation, and terminals are broadly finished, creating a blocky, compact silhouette. Round letters skew toward squarish ovals, while straight-sided forms (E, F, H, I, L) feel firmly rectangular. The lowercase is robust and simple, with a single-storey “a” and “g,” a short-armed “r,” and generous dot shapes on “i/j,” contributing to a cohesive, chunky rhythm. Numerals are bold and highly legible, with wide, stable shapes and clear interior counters where applicable.
Best suited to short, high-impact settings such as headlines, posters, brand marks, packaging, and retail or event signage. It works well where you want bold presence with a friendly tone, and where rounded geometry helps soften the message.
The font projects a warm, upbeat confidence—more approachable than aggressive—thanks to its rounded geometry and inflated, poster-like presence. It evokes a slightly retro, pop-signage sensibility while staying clean and contemporary in construction.
Likely designed to deliver maximum visual punch with smooth, rounded geometry—combining sturdy, compact letterforms with approachable curves for attention-grabbing display typography.
Tight-looking internal spaces and broad joins give words a strong, unified color, especially in all caps. The squarish round forms and large punctuation-like dots help it read clearly at a distance, while the dense texture can feel heavy in long paragraphs.