Sans Superellipse Oglos 3 is a very bold, normal width, low contrast, upright, tall x-height font visually similar to 'British Vehicle JNL' and 'School Activities JNL' by Jeff Levine and 'Winner Sans' by sportsfonts (names referenced only for comparison).
Keywords: headlines, posters, logotypes, packaging, app ui, playful, chunky, friendly, retro, toy-like, display impact, friendly branding, retro feel, geometric consistency, rounded, squarish, soft corners, geometric, compact.
A heavy, rounded-rectangle sans with superellipse geometry and softened corners throughout. Strokes are thick and uniform, with tight, compact counters and squared-off terminals that still read as cushioned due to generous corner rounding. Curves lean toward boxy bowls (notably in C, O, Q, and the numerals), while diagonals in V/W/X/Y are broad and blunt, keeping the overall texture dense and sturdy. Lowercase forms are simplified and highly legible, with short ascenders/descenders relative to the dominant body, and punctuation and dots rendered as solid, rounded squares/rectangles that match the system.
Best suited to display typography such as headlines, posters, branding marks, packaging, and social graphics where a compact, high-impact look is desirable. It can also work for large UI labels or game/app interfaces that benefit from sturdy, rounded forms, but is less ideal for long body text or small sizes where the tight counters may reduce clarity.
The overall tone is upbeat and approachable, combining a retro, arcade-like sturdiness with a friendly softness. Its chunky shapes and rounded corners give it a toy-like warmth, while the squared structure adds a confident, graphic punch suited to attention-grabbing settings.
The letterforms appear designed to deliver a bold, approachable voice built from rounded-square geometry, prioritizing strong silhouettes and consistent corner rounding. It aims for a modern-retro display feel that reads quickly, stays friendly, and holds up as a graphic shape in branding and signage contexts.
The design favors bold silhouettes over delicate interior detail, so counters can close up at smaller sizes. The numerals and capitals feel particularly sign-like and poster-ready, with consistent corner radii creating a cohesive, modular rhythm across the set.