Sans Other Ibry 2 is a bold, normal width, monoline, upright, normal x-height font visually similar to 'Digital Sans' by Blaze Type, 'ITC Avant Garde Gothic' by ITC, and 'URW Geometric' by URW Type Foundry (names referenced only for comparison).
Keywords: logos, posters, headlines, packaging, tech branding, futuristic, playful, techy, geometric, experimental, distinctiveness, modern branding, geometric construction, stencil effect, stencil cuts, rounded terminals, high contrast counters, circular bowls, crisp joins.
This typeface is a geometric sans with a strong, constructed feel and consistent heavy stroke weight. Many round forms are built from near-perfect circles with deliberate gaps or “cut” sections, creating a stencil-like interruption in letters such as C, G, O, Q and several lowercase bowls. Corners and joins stay crisp while terminals often read as cleanly squared or subtly rounded, producing a smooth, machined rhythm. Lowercase shapes are compact and simplified, with single-storey a and g and tightly controlled apertures that keep the overall texture dense and graphic.
This font is well suited to logos, wordmarks, posters, and headline settings where its cut circular forms can be read clearly and become a recognizable motif. It can also work for packaging and tech or entertainment branding that benefits from a bold, engineered display voice.
The repeated cut-ins and circular construction give the font a futuristic, tech-forward tone, while the simplified, almost modular shapes add a playful, game-like personality. It feels confident and modern, leaning more toward expressive display use than neutral text setting.
The design appears intended to modernize a geometric sans foundation with a consistent stencil/cut treatment, prioritizing distinctive silhouette and brand recognition. Its construction emphasizes circular geometry and controlled breaks to create a cohesive, futuristic display identity.
The signature visual motif is the recurring horizontal break through circular forms, which becomes a distinctive brandable feature. Spacing appears balanced for large sizes, but the intentional interruptions and tight apertures make the design read as stylized and attention-grabbing.