Print Fanaj 3 is a very bold, very narrow, medium contrast, italic, short x-height font.
Keywords: posters, headlines, packaging, sports branding, music promos, brushy, energetic, rugged, expressive, bold, impact, handmade texture, motion, display lettering, informal emphasis, dry-brush, textured, slanted, angular, condensed.
A condensed, right-leaning brush style with heavy strokes and a dry, textured edge that mimics a marker or paintbrush running low on ink. Letterforms are built from quick, angular gestures with tapered terminals, occasional sharp notches, and irregular contours that keep the rhythm lively. The texture is consistent across caps, lowercase, and figures, creating a dark, punchy color with slightly uneven stroke boundaries that read as intentionally hand-rendered rather than geometric.
Best suited for short, attention-grabbing text such as posters, event headlines, product packaging, and bold promotional graphics where texture and motion are desirable. It can also work for sports or entertainment branding when used in large sizes and with adequate spacing. For longer passages, it’s likely more effective as an accent style than as continuous body text due to its dense texture and condensed rhythm.
The overall tone is assertive and high-energy, with a gritty, handmade feel that suggests urgency and motion. Its rough brush texture and strong slant give it a street-poster immediacy and a casual, expressive attitude rather than a polished calligraphic refinement.
The design appears intended to capture the immediacy of fast brush lettering—prioritizing impact, movement, and a tactile ink texture. Its condensed, slanted forms and rugged edges aim to deliver a strong visual voice that feels handmade and expressive in display settings.
Capitals are especially forceful and compact, while lowercase maintains the same brush cadence with simplified, open counters and quick joins implied by stroke direction despite remaining unconnected. Numerals follow the same slanted, brush-cut logic, keeping a cohesive texture when mixed with text. At smaller sizes the rough edges may visually fill in, while at larger sizes the dry-brush detail becomes a key feature.