Outline Epzo 2 is a light, wide, very high contrast, upright, normal x-height font.
Keywords: headlines, posters, album art, game ui, tech branding, glitchy, digital, industrial, experimental, techy, glitch effect, sci‑fi ui, tech display, retro digital, monoline, rounded corners, modular, pixelated, fragmented.
A monoline outline face built from rectilinear, modular forms with rounded outer corners and frequent stepped, pixel-like notches. Strokes are rendered as open contours with an interior void, giving the letters a skeletal, circuit-trace feel; joins are mostly squared and geometric rather than calligraphic. Proportions read broad and airy, with generous internal space and a rhythm that alternates between clean straight runs and small broken segments. The character set shows intentional irregularities—chips, gaps, and protruding tabs—that create a distressed, electronically “corrupted” edge while maintaining consistent baseline and cap alignment.
Works well for display applications such as headlines, posters, title cards, and packaging where the outline structure and glitch detailing can be appreciated. It also suits tech-oriented branding, sci‑fi interfaces, and game UI elements—particularly for labels, menus, and short callouts rather than long-form text. Pair with a plain solid sans for body copy to keep hierarchy and legibility clear.
The overall tone is futuristic and technical with a deliberate glitch aesthetic. It feels like UI readouts, arcade hardware, or schematics—cool, mechanized, and slightly disruptive rather than friendly or traditional. The fragmented outlines add tension and motion, suggesting interference, decoding, or signal noise.
The design appears intended to translate digital distortion into a coherent, geometric alphabet—combining a clean, modular skeleton with intentional fragmentation. It aims for a futuristic outline look that stands out through negative space and controlled “broken” detailing while staying structurally consistent across the set.
Because the design is outline-only with intermittent breaks and small details, it reads best when given enough size and contrast against a simple background. In dense settings or at very small sizes, the chipped segments and thin contour lines can visually merge or appear noisy, especially in paragraphs.