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Free for Commercial Use

Calligraphic Gymar 1 is a regular weight, normal width, medium contrast, upright, short x-height font.

Keywords: book titles, editorial, packaging, invitations, posters, storybook, old-world, warm, whimsical, humanist, handcrafted feel, literary tone, historic flavor, expressive display, flared serifs, brush-like, organic, lively, texty.


Free for commercial use
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This typeface presents a calligraphic, hand-drawn serif style with softly flared terminals and gently tapered strokes. Letterforms are upright and rhythmically uneven in a controlled way, with subtle stroke modulation and small wedge-like serifs that feel drawn rather than constructed. Curves are generous and slightly irregular, counters are open, and joins often show a brush-pen logic, especially in the rounded capitals and the flowing lowercase. The overall color on the page is even, but individual glyph widths and internal shapes vary enough to keep the texture lively in continuous text.

It works well for book covers, chapter openers, and editorial headlines where a crafted, traditional voice is desirable. The distinctive texture also suits invitations, boutique packaging, and poster typography, especially when set at moderate to larger sizes where the tapered details and flared terminals can be appreciated.

The tone is personable and literary, suggesting traditional craft and ink-on-paper warmth rather than strict typographic neutrality. Its mild quirks and soft serifs lend a gentle whimsy that reads as friendly and slightly antiquarian, fitting for narrative or editorial voices that want character without becoming overtly decorative.

The design appears intended to blend formal calligraphic influence with practical readability, delivering a serifed text face that feels written by hand yet steady enough for continuous setting. It prioritizes expressive stroke endings, varied proportions, and a gently historical flavor to add personality to display and short-text applications.

Capitals have a decorative presence with sweeping curves and occasional spur-like details, while the lowercase maintains a readable, bookish cadence. Numerals follow the same calligraphic logic, with curved entries and tapered ends that keep them consistent with the alphabetic forms.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸