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Free for Commercial Use

Distressed Tomo 8 is a bold, very narrow, medium contrast, upright, tall x-height font visually similar to 'ATF Alternate Gothic' by ATF Collection, 'Alternate Gothic Pro EF' by Elsner+Flake, 'CF Blast Gothic' by Fonts.GR, 'Alternate Gothic' by Linotype, 'Alternate Gothic Pro' by SoftMaker, and 'Alternate Gothic' by URW Type Foundry (names referenced only for comparison).

Keywords: posters, headlines, packaging, signage, album covers, gritty, industrial, raw, vintage print, streetwise, impact, wear texture, poster utility, grunge tone, print realism, condensed, roughened, inked, uneven, hand-printed.


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A condensed, all-caps-forward sans with tall proportions and compact counters, rendered with intentionally roughened edges and intermittent notches that mimic worn ink or imperfect printing. Strokes are mostly monolinear in feel, but the contours wobble subtly, creating irregular sidebearings and a slightly restless rhythm across words. Curves (C, O) are narrow and upright, while joins and terminals show scraped, chiseled breaks that keep the texture consistent from letters through numerals.

Best suited to display settings where texture is an asset: posters, flyer headlines, album/playlist artwork, packaging callouts, and signage-style graphics. It holds up well in short lines and bold statements, especially when you want a condensed footprint with visible grit.

The overall tone is tough and utilitarian, evoking posters, stamped markings, and weathered signage. Its distressed texture adds urgency and grit, giving headlines a tactile, lived-in character rather than a polished modern finish.

The design appears intended to deliver strong, space-efficient display typography with a consistent distressed finish, as if produced by screen print, stamping, or aged letterpress. The narrow construction and sturdy shapes prioritize impact and quick recognition while the roughness supplies character and theme.

Lowercase forms track closely to the uppercase voice, staying narrow and sturdy with minimal calligraphic influence. Numerals are straightforward and legible, carrying the same rough perimeter so mixed text retains a unified, printed-wear look.

120px
108px
96px
84px
72px
64px
56px
48px
44px
40px
36px
32px
30px
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24px
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9px
8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸