Sans Other Ulfo 1 is a regular weight, normal width, low contrast, italic, normal x-height font.
Keywords: posters, headlines, packaging, stickers, album art, quirky, hand-drawn, angular, playful, informal, add personality, handmade feel, display impact, edgy playfulness, faceted, jagged, sketchy, offbeat, monoline.
A slanted, monoline sans with a faceted, polygonal construction that makes curves read as short straight segments. Strokes show slight, intentional irregularity at joins and terminals, producing a chiseled, hand-made rhythm rather than mechanical precision. Counters are open and relatively generous, while overall letter shapes stay compact with occasional width variation from glyph to glyph. Terminals are mostly blunt and angled, and diagonals dominate the texture, giving the alphabet a crisp, zig-zag silhouette in both uppercase and lowercase.
Best suited for display contexts such as posters, headlines, packaging accents, and short branding phrases where the faceted strokes can be appreciated. It can add character to captions or pull quotes, but its jagged detailing is likely most effective at medium-to-large sizes rather than dense body copy.
The font projects a quirky, crafty energy—somewhere between quick marker lettering and a stylized cut-paper or carved look. Its angularity adds edge and motion, while the mild irregularity keeps it friendly and casual rather than severe. Overall it feels playful and a bit eccentric, suited to designs that want personality more than polish.
The design appears intended to deliver an expressive sans with a hand-constructed, angular voice—capturing the feel of improvised lettering while maintaining consistent slant and recognizable proportions. It prioritizes distinctive texture and personality over smooth geometry, aiming for a lively, artisanal presence in titles and branding.
The italic slant is consistent across the set and helps unify the jagged construction into a coherent flow in text. Numerals and round letters (like O/0 and e) emphasize the signature faceting, which becomes a defining texture at larger sizes. In longer lines, the angular joins create a lively, slightly restless color that reads as deliberately informal.