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Free for Commercial Use

Sans Normal Tugos 11 is a very bold, wide, very high contrast, upright, normal x-height font visually similar to 'Contralto' by Synthview (names referenced only for comparison).

Keywords: headlines, posters, branding, magazine, packaging, dramatic, editorial, luxurious, theatrical, authoritative, statement, impact, stylization, editorial voice, brand character, ball terminals, wedge joins, sharp apertures, ink-trap hints, swash-like tails.


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This typeface uses heavy, sculpted letterforms with pronounced thick–thin modulation and a generally broad stance. Curves are built from near-oval bowls that pinch into sharp joins, creating crisp internal corners and tight apertures (notably in C, S, a, e, and s). Many letters finish with small wedge-like flicks or teardrop/ball terminals, giving strokes a cut-and-polished feel rather than a purely geometric construction. Counters are compact for the weight, and the rhythm alternates between blunt vertical masses (H, I, N, M) and highly contoured rounds (O, Q, 0, 6, 8, 9), producing an intentionally punchy, display-forward texture.

Best suited for headlines, logotypes, packaging, and editorial display where the sculpted contrast and crisp joins can be appreciated. It also works well for event posters, fashion or culture-led branding, and pull quotes. For dense small-size text, the tight counters and sharp apertures suggest using it selectively or with generous spacing.

The overall tone is bold and performative, mixing classic high-contrast drama with a contemporary, poster-ready punch. It reads as confident and upscale, with a slightly mischievous flair introduced by the sharp joins and curled terminals. The texture feels suited to statements—headlines that want to look crafted, stylish, and a bit theatrical rather than neutral.

The design appears aimed at delivering a high-impact display voice that blends refined contrast with bold, graphic mass. Its terminals and sharp transitions suggest an intention to feel crafted and stylish—optimized for attention and character in short bursts of text.

The lowercase shows distinctive, characterful shapes—single-storey a and g, a sharply tailed y, and a lively s with tapered ends—creating strong word-shape at larger sizes. Numerals are similarly stylized, with notable contrast and sculpted curves (especially 2, 3, 5, and 7), making them attention-grabbing in titling and branding contexts.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸