Cursive Pykar 3 is a regular weight, narrow, medium contrast, italic, short x-height font.
Keywords: greeting cards, branding, social media, packaging, posters, friendly, casual, playful, handmade, lively, handwritten feel, friendly tone, expressive loops, casual display, brushy, rounded, bouncy, looped, informal.
A lively handwritten script with rounded, brush-pen strokes and softly tapered terminals. Letterforms show a gentle rightward slant and a bouncy baseline rhythm, with frequent entry/exit hooks that suggest continuous pen movement even when characters don’t fully connect. Strokes are smooth and slightly irregular in width, creating a natural, human cadence; counters are compact and loops are prominent, especially in letters like g, y, and the capitals. Capitals are tall and simplified, pairing comfortably with the more fluid lowercase, while numerals follow the same rounded, hand-drawn logic for a consistent texture in running text.
Well suited to short-to-medium display copy where a casual handwritten voice is desired, such as greeting cards, personal branding, café or boutique packaging, social posts, invitations, and headline treatments. It can also work for pull quotes or sign-off lines when you want an informal, human touch.
The overall tone is warm and personable, with an upbeat, conversational feel. Its brushy softness and looping forms read as approachable and crafty rather than formal, making text feel like a handwritten note or quick marker lettering.
Designed to emulate quick, confident brush handwriting with a consistent rhythm and charming imperfections. The intention appears to balance legibility with expressive loops and a friendly slant, giving designers a script that feels spontaneous while remaining cohesive across uppercase, lowercase, and numerals.
Spacing appears intentionally uneven in a way that preserves a hand-rendered rhythm, and several shapes lean into distinctive loops and hooks that add character at display sizes. The italic lean and rounded joins help maintain flow across words, while the slightly condensed proportions keep lines feeling compact.