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Free for Commercial Use

Solid Ughi 6 is a very bold, narrow, medium contrast, reverse italic, tall x-height font visually similar to 'Chamelton' by Alex Khoroshok, 'Passiflora' by Compañía Tipográfica de Chile, 'Burford Rustic' by Kimmy Design, and 'Cheapsman' by Typetemp Studio (names referenced only for comparison).

Keywords: posters, headlines, logos, album covers, packaging, punk, industrial, rowdy, retro, comic, standout impact, diy texture, graphic mass, rebellious tone, chunky, jagged, chiseled, angular, quirky.


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A heavy, compact display face built from chunky, irregular silhouettes with frequent angled cut-ins and chamfered corners. The letterforms show a consistent backward slant and a lively, uneven rhythm, with strokes that feel carved rather than drawn. Many counters are reduced or partially collapsed, while bowls and terminals often resolve into blunt wedges and notches, creating a dense, high-ink look. Curves exist, but they’re interrupted by sharp facets, giving the alphabet a rugged, cutout geometry.

Best suited for large-scale display applications where its rugged silhouettes and backward-leaning stance can be appreciated—posters, headlines, merchandise, event graphics, and logo wordmarks. It can also work as a short, high-impact accent in packaging or social graphics, especially when paired with a simpler supporting text face.

The overall tone is loud, rebellious, and playful, with a DIY, street-poster attitude. Its faceted shapes and compressed spacing evoke a rough-cut, industrial energy that reads more like a graphic mark than conventional text. The reverse slant adds a slightly off-kilter, mischievous momentum.

The design appears intended to deliver maximum visual punch through dense forms and intentionally irregular, chiseled detailing. By collapsing counters and emphasizing angular cutouts, it prioritizes graphic texture and attitude over extended readability, aiming for an immediately recognizable, stamp-like presence.

In running text the dense black masses create strong word-shapes, but the reduced interior openings and irregular facets can make smaller sizes feel cramped and dark. The design’s personality is carried by the repeated notch-and-wedge motif across caps, lowercase, and numerals, which helps it stay cohesive despite the deliberate roughness.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸