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Free for Commercial Use

Sans Superellipse Hubet 6 is a very bold, narrow, low contrast, upright, normal x-height font visually similar to 'Midnight Sans' by Colophon Foundry, 'Rice' by Font Kitchen, 'Chreed' by Glyphminds Studios, 'Neusa Neu' by Inhouse Type, 'PODIUM Sharp' and 'PODIUM Soft' by Machalski, and 'Palo' by TypeUnion (names referenced only for comparison).

Keywords: headlines, posters, packaging, sports branding, signage, assertive, industrial, sporty, compressed, posterlike, impact, space saving, sturdiness, modern utility, attention, blocky, compact, rounded corners, high impact, uniform weight.


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A compact, heavy sans with squared-off, superelliptical curves and softly rounded corners. Strokes stay broadly uniform, producing a dense, solid color on the page, while counters are small and tightly controlled for maximum presence. The overall construction favors straight-sided geometry with rounded terminals, giving letters a sturdy, engineered feel. Spacing and proportions read deliberately condensed, supporting tight headlines and stacked settings without losing the basic silhouettes.

Best suited to short, prominent text such as headlines, posters, and punchy brand statements where density and impact are assets. It can work well in packaging and signage that needs strong contrast against busy backgrounds, and it’s particularly effective for sports or industrial-themed graphics. For longer passages, larger sizes and generous leading help maintain clarity.

The tone is bold and no-nonsense, projecting strength and urgency. Its compressed, blocky rhythm feels modern and utilitarian, with a sporty, headline-driven energy that reads as confident and attention-seeking.

The design appears intended to deliver maximum impact in a compact footprint, pairing a condensed stance with rounded-rectangle geometry for a contemporary, robust look. It emphasizes strong silhouettes and a consistent, heavy texture to hold up in bold display settings and tight layouts.

Round letters lean toward rounded-rectangle forms rather than circles, and many joins feel squared and structural, reinforcing a rugged texture in text. The weight and tight internal spaces make it most effective when given breathing room in layout and when used at sizes where counters remain clear.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸