Script Itbof 3 is a light, very narrow, high contrast, italic, very short x-height font.
Keywords: invitations, wedding, branding, logotypes, packaging, elegant, romantic, refined, airy, vintage, calligraphy mimic, signature feel, decorative caps, elegant display, swashy, calligraphic, looping, flowing, delicate.
A delicate, calligraphic script with pronounced stroke modulation and a right-leaning, handwritten rhythm. Letterforms are built from smooth, continuous curves with frequent entry/exit hooks and occasional swashes, especially in capitals. Proportions emphasize tall ascenders and deep descenders, while lowercase counters stay compact; terminals often finish in tapered points or soft curves. Spacing feels lively and irregular in a natural way, with some characters showing more expansive loops than others, contributing to an organic, pen-drawn texture.
Well-suited to short-form display settings such as invitations, greeting cards, event materials, and elegant packaging. It can also work for boutique logos and headings where a refined handwritten feel is desired. For best results, use at larger sizes or with generous spacing so the thin joins, loops, and swashes remain clear.
The overall tone is graceful and intimate, balancing formality with a personal, handwritten charm. Its looping capitals and gentle contrasts evoke invitations, boutique branding, and classic correspondence rather than utilitarian text. The result reads as polished and expressive, with a light, airy presence on the page.
Likely designed to mimic a pointed-pen or modern calligraphy look with a controlled, graceful cadence and decorative capitals. The emphasis appears to be on creating elegant word-shapes and a romantic, handcrafted signature effect for display typography.
Capitals are notably more decorative than the lowercase, with broad curves and occasional flourish-like strokes that create strong word-shape. Numerals follow the same handwritten logic, appearing slender and slightly stylized with curved strokes rather than rigid geometry. The style favors smooth flow over strict uniformity, so it reads best when the natural variation is allowed to show.