Sans Normal Ofdav 10 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Lucifer Sans' by Daniel Brokstad and 'Gulka' and 'Pollet Signature Script Sans Font' by Maulana Creative (names referenced only for comparison).
Keywords: headlines, posters, branding, signage, packaging, confident, modern, friendly, sporty, punchy, impact, clarity, modernity, approachability, rounded, geometric, blocky, compact, high impact.
A heavy, geometric sans with broad, rounded bowls and a strongly uniform stroke weight. The shapes lean on simple circles and straight segments with minimal modulation, producing a sturdy, compact texture in text. Terminals are clean and mostly flat, with softly rounded joins that keep counters open despite the mass. Uppercase forms are solid and stable (notably the circular C/G/O and the wide-shouldered M/W), while lowercase maintains clear, uncomplicated silhouettes with a single-storey a and g and a high, rounded-shoulder n/m rhythm. Numerals are bold and simple, with large interior counters (8/9/0) and a straightforward, vertical 1.
This font is well suited to bold headlines, posters, and branding where immediate impact is needed. Its clean geometry also works for signage and packaging, especially when clarity from a distance matters. For longer text, it will be most comfortable in short paragraphs, captions, or interface labels where a strong, compact voice is desired.
The overall tone is assertive and contemporary, with a friendly smoothness from the rounded geometry. It reads as energetic and functional rather than delicate or formal, giving headlines a direct, confident voice.
The design appears intended as a high-impact, geometric sans that stays approachable through rounded forms and open counters. It prioritizes strong silhouettes and consistent rhythm for clear, modern display typography across print and digital contexts.
Spacing appears generous enough to prevent clogging at display sizes, and the consistently round counters help maintain legibility in dense, bold settings. The design’s simplicity and strong silhouettes make it especially noticeable in short lines and large type.