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Sans Superellipse Tekof 6 is a very bold, narrow, low contrast, upright, tall x-height font visually similar to 'Highman' by Eko Bimantara, 'Double Porter' by Fenotype, and 'Kuunari' and 'Kuunari Rounded' by Melvastype (names referenced only for comparison).

Keywords: posters, headlines, packaging, logos, labels, vintage, rugged, industrial, playful, assertive, display impact, retro texture, compact fit, high contrast presence, condensed, blocky, rounded corners, ink-trap feel, soft terminals.


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This typeface uses compact, condensed proportions with heavy, even stroke weight and rounded-rectangle construction in bowls and counters. Corners are softened and slightly irregular, giving the outlines a pressed or inked texture rather than perfectly geometric edges. Curves tend toward squarish superellipse shapes, while joins and interior apertures often pinch slightly, producing an ink-trap-like bite that keeps counters open at bold sizes. Spacing is fairly tight and rhythm is punchy, with consistent vertical emphasis and sturdy, poster-like silhouettes across uppercase, lowercase, and figures.

Best suited for short, high-impact settings such as posters, headlines, brand marks, product packaging, and label-style graphics where the dense weight and compact width help text stand out. It also works well for retro-themed designs and bold typographic lockups that benefit from a slightly roughened, stamped character.

The overall tone feels vintage and workmanlike, like old packaging, rubber-stamp lettering, or wood-type inspired display text. Its softened geometry adds a friendly, slightly playful edge, while the dense weight and condensed stance keep it assertive and loud.

The design appears intended as a bold display sans with rounded-rectangle forms and a subtly distressed edge, combining geometric sturdiness with a tactile, analog feel for strong, attention-grabbing typography.

Lowercase forms read strongly at display sizes, with single-storey shapes and chunky terminals that reinforce the compact, headline-first intention. Numerals match the letterforms in mass and squarish curvature, maintaining a cohesive, sign-paint-like presence across mixed text.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸