Outline Ebno 2 is a very light, wide, very high contrast, upright, tall x-height font.
Keywords: posters, headlines, logotypes, packaging, event titles, retro, playful, poster, graphic, cartoon, dimensional effect, attention grabbing, vintage display, friendly impact, inline shadow, rounded, bold presence, stencil-like, geometric.
A rounded, geometric display face drawn as an outline with a distinct inline drop-shadow effect that reads like a second contour offset down and to the right. Strokes are consistently monoline in the outline, with generous counters and smooth curves; corners tend to be softened rather than sharply square. The overall build is wide and open, with compact joins and simple, sturdy terminals that keep the letters legible even with the hollow construction. Numerals and capitals follow the same outlined + shadowed construction, creating a cohesive, sign-like rhythm across the set.
Best suited to short, large-setting applications where the outlined construction and drop-shadow can be appreciated—posters, headlines, event titles, packaging callouts, and logo wordmarks. It can also work for playful signage and social graphics, but is less appropriate for long-form text where the hollow strokes may reduce continuous reading comfort.
The combination of hollow outlines and an offset shadow gives the font a punchy, upbeat personality with a retro sign-painting and mid-century advertising flavor. It feels friendly and attention-seeking rather than formal, leaning into a graphic, poster-forward tone that suggests fun, entertainment, and novelty branding.
The design appears intended to deliver a bold display impact using outline letterforms enhanced by an offset shadow, creating dimensionality without filling the main strokes. Its wide, rounded geometry and consistent contouring prioritize clarity and a lively, vintage-leaning visual punch.
The shadow/inline layer is treated as a solid accent in many glyphs, producing a strong pseudo-3D effect while keeping the primary letterform airy. The design relies on contrast between white interior space and black accent shapes, so it is most effective when allowed enough size and spacing for the contours to read cleanly.