Sans Superellipse Kave 11 is a very bold, narrow, monoline, italic, normal x-height font visually similar to 'Enlisted Stencil JNL' by Jeff Levine, 'Grid Hero' by PizzaDude.dk, 'Oscar Bravo' by Studio K, 'Goodland' by Swell Type, and 'Huberica' by The Native Saint Club (names referenced only for comparison).
Keywords: sports branding, headlines, posters, logos, packaging, sporty, industrial, aggressive, retro-futuristic, dynamic, impact, speed, compactness, modern geometry, branding, condensed, slanted, blocky, rounded corners, oblique cuts.
A condensed, heavy oblique sans with squared, superelliptical counters and consistently rounded corners. Strokes are broadly uniform with minimal contrast, and many terminals are cut on angles, creating sharp diagonals within an otherwise blocky silhouette. The bowls and apertures read as rounded rectangles, with tight interior spaces that emphasize mass and punch. Rhythm is compact and forward-leaning, with sturdy verticals, clipped joins, and a generally geometric construction that stays cohesive across caps, lowercase, and numerals.
Best suited to short, high-impact setting such as sports and esports branding, event posters, product marks, and energetic headline typography. It can also work for packaging or UI accents where a compact, forward-leaning voice is needed, but it’s less appropriate for long-form text due to its dense weight and tight counters.
The overall tone is fast, forceful, and performance-oriented, suggesting motion and impact. Its combination of dense black shapes and slanted stance feels sporty and mechanical, with a slightly retro, arcade-to-motorsport energy.
The design appears intended to deliver a condensed, high-visibility display voice that communicates speed and strength. Rounded-rectangle construction and angled terminals likely aim to balance toughness with controlled, modern geometry, producing a distinctive silhouette that holds up in bold branding contexts.
Distinctive angular cuts appear on many letters, reinforcing a directional, speed-driven character while keeping the forms clean and sans-like. The lowercase maintains the same blocky logic as the caps, and the numerals follow the same compact, squared-round construction for a unified set.