Sans Superellipse Juda 6 is a very bold, narrow, high contrast, italic, normal x-height font visually similar to 'Entuista' by Azzam Ridhamalik, 'Odradeck' by Harvester Type, 'Shtozer' by Pepper Type, 'Daimon' and 'Motte' by TypeClassHeroes, and 'House Sans' by TypeUnion (names referenced only for comparison).
Keywords: headlines, posters, sports branding, logos, packaging, sporty, aggressive, fast, industrial, retro, impact, speed, compactness, headline emphasis, brand edge, slanted, condensed, blocky, rounded corners, ink-trap cuts.
A heavy, right-slanted sans with condensed proportions and a compact footprint. Strokes are chunky and mostly monolinear in feel, with subtle contrast created by angled joins and cut-in apertures rather than traditional modulation. Corners read as rounded-rectangular (superellipse-like), giving bowls and counters a squared softness, while interior notches and small ink-trap-style cutouts sharpen the rhythm in tight areas. Letterforms are upright in structure but dynamically obliqued, with broad vertical stems, narrow counters, and short, clipped terminals that keep the silhouette dense and mechanical.
Best suited to short, high-impact settings such as headlines, posters, sports or racing-themed branding, bold logo wordmarks, and attention-grabbing packaging. It performs well when set large, where the cut-in details and rounded-rectangular geometry can be appreciated, and in tight horizontal spaces where a condensed slanted style helps maintain presence.
The overall tone is fast and forceful, with a motorsport or action-title energy. Its slanted, compact shapes and hard-edged cut-ins communicate urgency and impact, while the rounded-rectangular geometry keeps it feeling engineered rather than handwritten.
The design appears intended to deliver maximum visual punch in a compact width, pairing a forward-leaning stance with engineered, rounded-rectangular construction. The cut-in apertures and clipped terminals suggest a deliberate focus on speed, toughness, and reproducible display impact.
Uppercase forms stay tall and compressed, with counters that remain open enough for display sizes but can fill in at smaller sizes due to the dense weight. Numerals follow the same condensed, squared-round logic, and punctuation appears built from the same blunt, angled vocabulary, reinforcing a consistent, utilitarian texture across lines.