Script Immez 4 is a regular weight, narrow, high contrast, upright, short x-height font.
Keywords: headlines, posters, branding, packaging, invitations, whimsical, storybook, playful, handmade, classic, handwritten warmth, decorative flair, calligraphic look, display impact, brushy, calligraphic, pointed terminals, teardrop joins, bouncy baseline.
A lively, handwritten script with a brush-pen feel, featuring high stroke contrast between thin entry strokes and heavier shaded curves. Letterforms are compact and slightly narrow, with upright posture and a rhythmic, bouncing baseline that gives words a lively cadence. Terminals often taper to pointed tips, while bowls and joins frequently swell into teardrop-like shapes, creating a distinctly calligraphic texture. Capitals are decorative yet legible, mixing simplified serif-like accents with fluid, drawn strokes; lowercase forms keep a relatively short x-height with prominent ascenders and descenders for vertical animation.
This font performs best in short to medium display settings where its contrast and expressive stroke endings can be appreciated—headlines, posters, product packaging, and branding accents. It also suits invitations, greeting cards, and editorial pull quotes when a handcrafted, calligraphic voice is desired.
The overall tone is whimsical and personable, like carefully lettered headlines in a storybook or boutique signage. Its energetic rhythm and ink-swept curves feel playful and slightly theatrical, while the upright structure keeps it readable and composed.
The design appears intended to emulate confident, brush-written calligraphy with a controlled upright stance, balancing decorative flair with legibility. Its variable letter widths and tapered terminals suggest a focus on capturing the spontaneity of hand lettering while keeping a consistent, reusable texture across words and numerals.
Spacing appears intentionally uneven in a hand-drawn way, with letter widths and counters varying to preserve a natural rhythm. Numerals echo the same contrast and tapering terminals, making them suitable as display figures rather than neutral text figures.