Sans Superellipse Uhla 6 is a very bold, very wide, medium contrast, upright, tall x-height font.
Keywords: headlines, posters, logos, sports branding, gaming ui, futuristic, industrial, techno, athletic, assertive, display impact, tech branding, modular identity, stencil accent, geometric clarity, square-rounded, stencil-like, modular, geometric, angular.
A heavy, geometric sans built from squared, superellipse-like forms with generously rounded outer corners. Strokes are blocky and consistent, with tight internal counters and frequent segmented joins that create small breaks and notches across bowls and terminals, giving a stencil-like, modular construction. Curves are simplified into rounded rectangles, diagonals are crisp, and spacing feels compact, producing a dense, high-impact texture in both caps and lowercase. Numerals match the same hard-edged, cut-in construction, reinforcing a cohesive, engineered rhythm.
Best suited to large-scale display settings where the segmented details and rounded-rect geometry can read clearly—headlines, posters, event graphics, and brand marks. It also fits tech, gaming, and sports contexts, including UI titles, packaging, and promotional graphics that benefit from a strong, engineered presence.
The overall tone reads mechanical and forward-looking, with a sporty, industrial confidence. The segmented cuts add a tactical/technical flavor reminiscent of machinery markings, sci‑fi interfaces, and performance branding, making the voice feel bold, controlled, and modern.
The font appears designed to deliver maximum impact with a distinctive modular signature: a rounded-square skeleton paired with deliberate breaks that suggest stenciling or machined construction. The intention is likely to provide a recognizable, contemporary display voice that stays consistent across uppercase, lowercase, and numerals.
The design favors silhouette strength over interior openness: counters and apertures are relatively tight, and the signature cut-ins can become more visually prominent as size decreases. The consistent rounded-corner geometry keeps the texture unified even where glyphs introduce sharper diagonals or asymmetric shapes.