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Outline Jifa 7 is a light, normal width, low contrast, italic, normal x-height font.

Keywords: headlines, posters, logos, packaging, signage, retro, playful, sporty, neon, casual, display impact, retro feel, signage look, brand accent, athletic tone, outlined, monoline, rounded, oblique, open counters.


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A monoline outline design with a consistent double-contour construction: an outer stroke and a parallel inner line that creates a hollow channel through each letterform. The forms are gently oblique with smooth curves and softened joins, giving the shapes a friendly, streamlined profile. Round letters like O, C, and G are broadly circular, while straight-sided capitals (E, F, H, N) stay clean and geometric; diagonals (A, V, W, Y) are crisp but not sharp due to the outline treatment. Spacing reads even and airy, and the figures follow the same outline logic for a cohesive, uniform texture in display settings.

Best suited to headlines, posters, short branding lines, and logo marks where the outline effect can stay clear and intentional. It can also work well on packaging or signage when paired with solid fills or bold color fields. For longer passages or small UI sizes, the hollow channel may soften readability, so it’s strongest as a display face.

The overall tone feels upbeat and retro, reminiscent of outlined signage and athletic or mid-century titling. The hollow channel adds a lively, “lit” quality that can read as neon or sticker-like depending on color and background. Its slant and rounded construction contribute to an informal, energetic voice rather than a formal or editorial one.

The design appears intended to provide an energetic outline alternative to a simple oblique sans, adding visual interest through a consistent inner contour while keeping letterforms straightforward and broadly geometric. The emphasis is on impact and personality over text economy, aiming for a clean, modern-retro look that remains easy to set in all-caps or mixed case.

Because the design is built from outlines rather than filled strokes, it relies on sufficient size and contrast with the background for the inner contour to remain legible. Curved glyphs show particularly clean parallelism between outer and inner contours, which helps maintain a consistent rhythm across mixed-case text and numerals.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸