Sans Superellipse Tyfu 5 is a regular weight, very narrow, low contrast, upright, normal x-height font.
Keywords: posters, headlines, packaging, labels, signage, condensed, utilitarian, industrial, retro, clean, space saving, clear rhythm, modern utility, soft geometry, display focus, rounded corners, monoline, tall proportions, open counters, compact.
A condensed, monoline sans with tall, narrow proportions and softly squared curves that read as superellipse-like forms. Strokes stay evenly weighted with minimal contrast, and terminals are generally blunt with rounded corners. Bowls and counters are compact but fairly open for the width, and the overall rhythm is tight and efficient, with slight irregularity that keeps the texture from feeling sterile. Figures follow the same narrow, upright construction, matching the letterforms’ compressed footprint.
Works best for headlines, posters, packaging, and labels where space is limited and a compact, upright texture is desirable. It can also suit signage and UI callouts that benefit from narrow letterforms and a clean, geometric tone. For extended reading, it will typically perform better at larger sizes and with generous tracking.
The font conveys a pragmatic, signage-like tone with a subtle vintage/industrial flavor. Its rounded-rectangle geometry softens the austerity of the condensed width, creating a friendly but no-nonsense voice. Overall it feels functional and modern while hinting at mid-century labeling and utilitarian print.
The design appears intended to deliver an efficient condensed sans for space-conscious typography, using rounded-rectangle geometry to keep the look approachable. It prioritizes consistency, compactness, and a clear vertical rhythm, aiming for a practical display face that remains readable while projecting a pared-back, industrial character.
The condensed build produces strong vertical emphasis and economical line length. Rounded corners and simplified shapes help maintain legibility at display sizes, while the compact apertures and tight internal spacing can make long passages feel dense. The consistent stroke and restrained detailing keep the design coherent across uppercase, lowercase, and numerals.