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Sans Superellipse Tufa 12 is a bold, narrow, low contrast, upright, normal x-height font visually similar to 'MARLIN' by Komet & Flicker, 'Kuunari' and 'Kuunari Rounded' by Melvastype, 'Goldana' by Seventh Imperium, 'Beachwood' by Swell Type, and 'Breuer Condensed' by TypeTrust (names referenced only for comparison).

Keywords: headlines, posters, packaging, signage, branding, industrial, utilitarian, technical, condensed, authoritative, space saving, high impact, industrial clarity, systematic geometry, squared, rounded corners, geometric, compact, sturdy.


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A compact sans with squared, rounded-rectangle construction throughout. Strokes stay uniform and heavy, with mostly straight sides and softened corners that create a superellipse feel rather than true circles. Counters are tight and rectangular, apertures are controlled, and terminals tend to be blunt, producing a dense texture in words. The uppercase is tall and linear, while the lowercase echoes the same boxy geometry with simple, single-storey forms and minimal curvature. Figures match the letterforms’ blocky rhythm, with clear, straight-sided shapes and consistent weight.

Works well for short, high-impact settings such as headlines, poster typography, bold labels, packaging callouts, and directional or industrial-style signage. It can also suit branding systems that need a compact, engineered voice, especially where space is limited and a dense typographic color is desirable.

The overall tone is practical and industrial, suggesting signage, machinery labeling, and no-nonsense communication. Its compressed stance and squared curves feel technical and disciplined rather than friendly or expressive, giving text a confident, commanding presence.

The font appears designed to deliver maximum presence in a tight footprint, using rounded-rectangular geometry to maintain a consistent, engineered look. Its uniform stroke weight and boxy counters prioritize clarity and robustness, aiming for a functional, industrial character that stays visually coherent across letters and numbers.

The design relies on repeated vertical strokes and flattened curves, creating strong alignment and a steady rhythm across lines. Rounded corners soften the rigidity just enough to keep forms from feeling sharp, while the narrow internal spaces make it best suited to larger sizes or situations where impact matters more than airy readability.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸