Sans Other Bulap 3 is a bold, normal width, high contrast, upright, normal x-height font.
Keywords: headlines, posters, logotypes, packaging, branding, retro-futurist, playful, techy, modular, quirky, distinctive display, futuristic tone, geometric construction, brand voice, geometric, monoline accents, rounded, sharp terminals, stencil-like.
This typeface is built from clean, geometric forms with frequent open apertures and segmented strokes that create a slightly stencil-like construction. Curves are broadly rounded and often paired with abrupt, squared cut-ins, producing distinctive counters and notch details (notably in letters like C, G, S, and several lowercase bowls). The overall color is strong, with compact joins, short crossbars, and simplified verticals that keep forms crisp while allowing occasional asymmetry and custom shaping. Numerals and capitals follow the same constructed logic, with several characters using partial outlines or split strokes that emphasize the font’s modular rhythm.
Best suited for headlines, posters, identity work, and packaging where its constructed shapes can be appreciated at larger sizes. It can also work for short UI labels or section titles when a techy, retro-modern tone is desired, but it is less ideal for long-form reading due to its frequent cut-ins and unconventional apertures.
The font conveys a retro-futurist, display-forward personality—playful and slightly sci‑fi without becoming decorative in a scripted sense. Its clipped curves and engineered gaps feel techy and experimental, giving text a distinctive voice that reads as modernist, quirky, and intentionally nonstandard.
The design appears intended to reinterpret a clean sans foundation through modular, cut-out geometry—adding novelty and a futuristic flavor while keeping letterforms broadly familiar. Its consistent use of notches, segmented bowls, and simplified joins suggests a deliberate aim for a distinctive display texture and brandable silhouettes.
The design relies on recognizable silhouettes while introducing consistent internal cuts and openings, so it maintains legibility at display sizes but becomes more idiosyncratic in dense settings. Round letters (O/Q/0 and lowercase o/e) show the strongest character through their split bowls and high-contrast negative spaces, which set the tone for the rest of the alphabet.