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Wacky Inby 3 is a regular weight, narrow, low contrast, upright, normal x-height font visually similar to 'Gandul' by Yock Mercado (names referenced only for comparison).

Keywords: posters, titles, packaging, game ui, album art, medieval, gothic, playful, mysterious, storybook, thematic display, fantasy tone, blackletter remix, graphic impact, blackletter, angular, chiseled, faceted, spiky terminals.


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This typeface uses a blackletter-inspired skeleton rendered with crisp, faceted contours and frequent angled breaks, giving strokes a cut-paper or chiseled look. Curves are often replaced by polygonal arcs, especially in rounds like O/C/G and in the numerals, producing an octagonal rhythm. Stems are mostly straight and firm, with small wedge-like terminals and notched joins that create a slightly irregular, handcrafted texture. The lowercase shows simplified, upright forms with compact bowls and occasional asymmetrical details, while the uppercase leans toward emblematic, sign-like shapes with pronounced corners.

It works best for short, attention-grabbing settings such as posters, title cards, product labels, and event promos where a medieval or fantasy flavor is desired. It can also support themed interfaces (e.g., RPG menus) and branding moments that benefit from a distinctive, ornamental voice. For longer reading, it is more effective in brief bursts—pull quotes, headers, or signage—rather than continuous body copy.

The overall tone feels medieval and dramatic, but with a mischievous, offbeat edge created by the quirky angles and slightly eccentric letter constructions. It suggests fantasy, old-world proclamations, and playful darkness rather than strict historical reproduction. The texture reads bold and declarative, suited to theatrical or game-like atmospheres.

The design appears intended to evoke blackletter tradition while simplifying and exaggerating its geometry into a more graphic, novelty-driven voice. By using angular, faceted curves and compact constructions, it aims for immediate thematic recognition and strong display impact. The consistent chiseled styling suggests a deliberate blend of old-world reference with quirky, modernized character.

The sample text shows a dense, high-contrast-from-the-background color (despite low internal contrast), creating strong word shapes and a steady vertical rhythm. Angular counters and tight apertures add bite and personality, but also make longer passages feel intense and busy. Numerals echo the same faceted construction, keeping headlines and short callouts visually consistent.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸