Sans Superellipse Abmak 7 is a regular weight, normal width, low contrast, upright, normal x-height font visually similar to 'Bronkoh' by Brink, 'Knight Sans' by Cadson Demak, 'Belle Sans' by Park Street Studio, 'Akwe Pro' by ROHH, 'Knight Sans' by T-26, and 'NuOrder' by The Northern Block (names referenced only for comparison).
Keywords: ui text, branding, signage, dashboards, packaging, modern, clean, neutral, techy, friendly, clarity, neutrality, modern utility, approachability, geometric, rounded, monoline, open apertures, crisp terminals.
A geometric sans with monoline strokes and rounded-rectangle construction in the bowls and counters. Curves are smooth and even, with straight-sided rounds that read as subtly squarish rather than purely circular. Terminals are clean and predominantly horizontal/vertical, producing a crisp, systematic rhythm. Uppercase forms are simple and sturdy, while the lowercase keeps generous spacing and open counters for clear word shapes.
This font works well for UI and UX copy, dashboards, and product surfaces where consistent rhythm and clear counters support fast scanning. Its geometric, rounded construction also suits contemporary branding, packaging, and straightforward signage, especially when a clean, modern impression is desired.
The overall tone is modern and composed, with a friendly clarity that comes from its rounded geometry and open forms. It feels technical without becoming cold, making it suitable for contemporary interface and product contexts where neutrality and legibility are priorities.
The design appears intended to deliver a contemporary geometric voice with rounded structure for approachability, balancing strict construction with readable, open letterforms. It emphasizes consistency across letters and numerals to keep text and data looking cohesive in practical, everyday use.
The numerals follow the same rounded, geometric logic as the letters, giving mixed alphanumeric strings a consistent texture. Round letters like C, G, O, and Q show a superelliptical feel, while diagonal-heavy glyphs (V, W, X, Y) maintain a clean, engineered sharpness without decorative flare.