Sans Superellipse Utmir 5 is a bold, wide, monoline, upright, normal x-height font visually similar to 'Aceleron' by VladB (names referenced only for comparison).
Keywords: headlines, branding, posters, signage, ui titles, techno, futuristic, industrial, sporty, clean, modernity, impact, precision, distinctiveness, clarity, rounded, squared, geometric, stencil-like, modular.
A geometric sans with a strong rounded-rectangle (superellipse) construction, combining squared outer silhouettes with softened corners and largely uniform stroke thickness. Counters tend toward rectangular apertures, and curves resolve into smooth, controlled arcs rather than organic modulation. Many joins and terminals feel engineered and clipped, with occasional notch-like cut-ins that add a slightly stencil or segmented impression. Uppercase forms are compact and sturdy, while the lowercase maintains a clear, contemporary rhythm with simple bowls and short, functional terminals.
Best suited for headlines, logos, packaging, and short statements where its geometric character and sturdy shapes can carry the design. It also works well for UI headers, dashboards, and wayfinding-style signage, especially in tech, automotive, sports, or industrial contexts where a clean, engineered voice is desired.
The overall tone is modern and machine-forward, evoking interfaces, hardware, and engineered signage. Its rounded corners soften the impact of the heavy shapes, keeping it approachable while still reading as technical and performance-oriented. The segmented details add a subtle sci‑fi flavor without becoming decorative.
The design appears intended to deliver a contemporary, tech-leaning sans that feels robust and highly structured. By building forms from rounded rectangles and maintaining even stroke weight, it aims for consistent impact and easy recognition at larger sizes while adding a distinctive, modular edge through clipped terminals and occasional cut-ins.
Digits and round letters (like 0/O and 8) emphasize squarish counters and a stable, display-leaning presence. The face maintains consistent geometry across the set, prioritizing uniformity and clarity over calligraphic nuance.