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Slab Square Tabal 4 is a very bold, normal width, low contrast, italic, normal x-height font visually similar to 'Bunday Slab' by Buntype; 'ITC Officina Serif' by ITC; 'Handmade Stencil JNL' by Jeff Levine; 'TheSerif' by LucasFonts; and 'Heptal', 'Pentay Slab', and 'Sextan Serif' by deFharo (names referenced only for comparison).

Keywords: headlines, posters, branding, sports, packaging, assertive, sporty, retro, editorial, industrial, impact, momentum, sturdiness, vintage display, headline clarity, slab serif, square serifs, wedge joins, ink-trap hints, tight apertures.


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A heavy, right-leaning slab serif with flat, blocky serifs and a compact, forceful rhythm. Strokes are broadly even with minimal contrast, and joins are sturdy, often forming slightly pointed or notched transitions where diagonals meet verticals. Counters tend to be tight and apertures relatively closed, giving the face a dense, high-impact texture in words. The italics are built-in rather than cursive, with robust letterforms, squared terminals, and emphatic diagonals that keep the overall silhouette bold and stable.

Best suited to display settings such as headlines, posters, cover lines, and logo-style wordmarks where its bold texture and slanted stance can project energy. It also fits packaging, labels, and sports or event graphics that benefit from sturdy slab serifs and tight, attention-grabbing shapes.

The tone is punchy and confident, combining a workmanlike, industrial sturdiness with a lively, energetic slant. It suggests vintage advertising and headline-driven editorial design, where impact and momentum matter more than delicacy.

The design appears intended to deliver maximum impact in an italicized slab-serif voice: strong, squared finishing, compact counters, and a consistent stroke system that keeps text looking solid and driven. It prioritizes presence and rhythm in short bursts of copy, aiming for a confident, retro-leaning display character.

Uppercase forms read as strong and slightly condensed in feel, with pronounced slabs that hold together well in big sizes. The numerals are weighty and straightforward, matching the same blocky finishing and maintaining consistent visual color across mixed text.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸