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Free for Commercial Use

Sans Contrasted Ilko 2 is a bold, wide, very high contrast, italic, tall x-height font.

Keywords: headlines, posters, branding, magazine, packaging, fashion, theatrical, editorial, dynamic, retro, standout display, graphic drama, stylized elegance, retro flair, slanted, sharp, stencil-like, calligraphic, display.


Free for commercial use
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This typeface is a strongly slanted, high-contrast display design with a pronounced interplay between heavy, wedge-like strokes and hairline joins. Forms are built from broad, triangular terminals and tapered cuts, creating an almost chiseled, stencil-like construction in many letters. Counters tend to be compact and asymmetrical, with frequent one-sided thickening and abrupt transitions that give the rhythm a lively, uneven sparkle. The lowercase shows a tall, prominent body with simplified bowls and distinctive diagonal stress, while numerals and capitals echo the same faceted, cut-in geometry for a cohesive, graphic texture.

Best suited to display sizes where its sharp cuts and thin connectors can be appreciated without breaking down. It works well for headlines, fashion and cultural editorial, branding marks, and bold packaging statements where a distinctive, dramatic voice is desired. For longer passages, it is likely to perform best in short bursts such as decks, pull quotes, and promotional copy.

The overall tone feels dramatic and fashion-forward, with a slightly retro, poster-oriented swagger. Its sharp angles, sweeping slant, and high-contrast sparkle suggest motion and emphasis, reading as assertive and attention-seeking rather than quiet or purely functional.

The design appears intended to deliver maximum impact through a stylized, high-contrast silhouette and a strong italic momentum. Its faceted terminals and cut-in joins prioritize character and visual rhythm, aiming for a memorable, poster-like presence in contemporary branding and editorial contexts.

In text settings the letterforms create a strong pattern of black shapes and thin bridges, so spacing and word shapes become a major part of legibility. The design’s repeated wedge terminals and diagonal stress provide a consistent signature that stands out immediately, especially in caps and in round letters where the thick/thin shift is most visible.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸