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Inline Asnu 7 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Bronkoh' by Brink, 'Muller' and 'Muller Next' by Fontfabric, 'Whitney' by Hoefler & Co., 'EquipCondensed' by Hoftype, and 'TT Norms Pro' by TypeType (names referenced only for comparison).

Keywords: posters, headlines, branding, packaging, signage, playful, vintage, circus, handmade, friendly, decorate, add texture, evoke retro, increase impact, signpaint feel, chunky, rounded, soft serif, ink-trap, distressed.


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A chunky display face with heavy, rounded strokes and a carved inline that tracks through each letter, creating a sign-painted, hollowed feel without relying on contrast. Terminals are softly flared and slightly irregular, with subtle waviness and notch-like details that suggest hand-cut or worn printing. Counters are generous and shapes stay broadly upright and compact, while the inline consistently echoes the outer contour to keep the texture cohesive across uppercase, lowercase, and numerals.

Best suited to display settings such as posters, headlines, event graphics, labels, and brand marks that benefit from a decorative, vintage-forward voice. It also works well for short bursts of copy on packaging or signage where the inline detail can be appreciated at larger sizes.

The overall tone feels festive and nostalgic, like storefront lettering, fair posters, or retro packaging. The inline and slightly roughened outlines add a crafted, tactile character that reads as cheerful and approachable rather than formal.

The design appears intended to deliver maximum impact with a bold silhouette while adding craft and personality through a continuous inline and subtly irregular outlines. It aims to evoke classic showcard and letterpress-inspired display typography with a friendly, contemporary consistency.

The bold mass and internal line create strong figure/ground patterns, especially in round letters and numerals, giving text a lively shimmer at larger sizes. Because of the busy interior detailing, the design is most comfortable when given breathing room in tracking and line spacing.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸