Sans Superellipse Barum 11 is a light, normal width, low contrast, italic, normal x-height font.
Keywords: ui labels, app branding, tech posters, product packaging, short headlines, sleek, futuristic, clean, technical, friendly, modernize, soften geometry, add motion, improve clarity, rounded, monoline, soft corners, oblique, open apertures.
This typeface is an oblique, monoline sans with rounded-rectangle construction throughout. Curves resolve into soft corners and superelliptical bowls, giving letters a smooth, engineered feel rather than a calligraphic one. Strokes are even and lightly weighted, with generous internal spaces and generally open apertures that keep counters clear. The forms lean consistently, with simplified joins and terminals that stay rounded and tidy; proportions vary per glyph in a natural, proportional rhythm. Numerals follow the same rounded geometry, pairing flat-ish horizontals with curved corners for a cohesive set.
It suits interface labels, dashboards, and product experiences where a clean, contemporary voice is needed and the oblique stance can add energy. The rounded construction also works well in tech and lifestyle branding, short headlines, and display copy where smooth geometry and a sleek rhythm are priorities. For longer text, it will be most comfortable at sizes that preserve the light stroke and open counters.
The overall tone is modern and streamlined, balancing a technical, UI-like precision with approachable softness. Its rounded geometry reads contemporary and slightly futuristic, while the oblique slant adds motion and a sense of speed without feeling aggressive.
The design appears aimed at a modern, geometric-leaning sans that emphasizes rounded-rectangle forms for a distinctive, contemporary identity. The consistent oblique angle and simplified, soft terminals suggest an intention to convey speed and modernity while staying friendly and readable.
Distinctive superelliptical shaping is especially evident in rounded letters and numerals, where bowls feel more like rounded rectangles than circles. Many terminals appear subtly sheared to match the slant, reinforcing a unified forward-leaning texture in text.