Sans Superellipse Dubir 4 is a bold, normal width, low contrast, italic, normal x-height font visually similar to 'Hergon Grotesk' by Katatrad and 'Eurostile Next' and 'Eurostile Next Paneuropean' by Linotype (names referenced only for comparison).
Keywords: headlines, posters, branding, sportswear, product ui, sporty, technical, assertive, modern, streamlined, speed emphasis, impact, modern utility, brand voice, display clarity, rounded corners, square-round, oblique stress, compact apertures, stencil-free.
This typeface uses chunky, rounded-rectangle construction with softly squared curves and consistent, low-contrast strokes. The italic slant is pronounced and uniform, giving the forms a forward-leaning rhythm and tightly controlled spacing. Counters are compact and corners are generously rounded, producing superellipse-like bowls in letters such as O, D, and P. Terminals are blunt and clean, with a generally condensed feel in diagonals and joins that keeps the overall silhouette crisp and stable at display sizes.
It performs best in headlines, posters, and prominent interface labels where its strong, slanted shapes and rounded-square geometry can be appreciated. The style also fits branding systems for sports, tech, automotive, or industrial products, especially where a sense of speed and solidity is desired. Short bursts of text—taglines, buttons, packaging callouts—benefit from its compact counters and bold presence.
The overall tone is fast, confident, and contemporary, with a hint of industrial or performance styling. Its slanted stance and squared rounding suggest motion and efficiency rather than softness, making it feel energetic and purposeful. The heavy, simplified shapes read as direct and impactful, suited to attention-grabbing messaging.
The design appears intended to merge a geometric, rounded-rectangle skeleton with a dynamic italic lean, balancing sturdiness with motion. It prioritizes high-impact readability and a cohesive, engineered texture across letters and numerals. The consistent rounding and blunt terminals suggest a goal of modern friendliness without sacrificing a tough, performance-oriented edge.
Distinctive details include the squared, rounded bowls, the compact, engineered-looking apertures (notably in C, S, and e), and a clean, utilitarian approach to curves and diagonals. Numerals follow the same rounded-rect logic, with broad forms and clear silhouettes that match the letters in weight and slant.