Sans Other Yedi 3 is a bold, normal width, high contrast, upright, normal x-height font.
Keywords: headlines, posters, logos, signage, game ui, industrial, retro tech, modular, authoritative, utilitarian, impact, techno styling, modular system, industrial labeling, display focus, square, angular, blocky, condensed joins, stencil-like counters.
A heavy, geometric sans built from rigid, rectilinear strokes and squared-off terminals. Letterforms are mostly monoline in construction but rely on sharp internal cut-ins and notched joins that create a punchy, segmented rhythm across the alphabet. Counters tend to be narrow and rectangular, with frequent step-like apertures and clipped corners that give many glyphs a modular, almost machined silhouette. The overall texture is dense and high-impact, with crisp verticals, flat horizontals, and occasional diagonal elements that stay tightly controlled within the same blocky system.
Best suited for display use such as headlines, posters, branding marks, and signage where the angular, modular construction can read as intentional and graphic. It also fits interface-style applications (e.g., game UI, tech-themed title cards) where a bold, engineered tone is desired.
The font communicates a strong industrial and retro-technical tone, reminiscent of mechanical labeling, sci‑fi interfaces, and arcade-era display typography. Its squared geometry and notched detailing feel purposeful and engineered, projecting toughness and a slightly militaristic, utilitarian attitude.
The design appears intended to deliver maximum impact with a compact, squared geometry and distinctive notched detailing, creating a utilitarian display sans that feels fabricated rather than written. The consistent modular language suggests a focus on strong silhouettes and a techno-industrial voice for titles and short text.
The distinctive notches and cutaways create clear word shapes at larger sizes, while the compact counters and tight apertures can make long passages feel dark and busy. The design’s personality comes through most in mixed-case settings, where the stepped forms and sharp interior corners produce a rhythmic, modular pattern.