Sans Other Ulla 13 is a light, narrow, medium contrast, upright, normal x-height font.
Keywords: posters, headlines, packaging, children’s, craft branding, quirky, playful, hand-drawn, casual, friendly, handwritten feel, add personality, casual readability, friendly branding, monolinear, irregular, soft corners, open apertures, tall ascenders.
A slim, monolinear sans with intentionally uneven geometry and a lightly hand-drawn rhythm. Strokes stay relatively consistent but show subtle wobble, slight angle changes, and occasional swelling at terminals, giving letters a sketched, human feel. Proportions are compact and somewhat condensed, with tall verticals, open counters, and simplified forms; diagonals (A, V, W, X, Y) look lightly irregular rather than mechanically straight. The lowercase mixes single-storey shapes (notably a and g) with narrow bowls and modest shoulders, and the numerals follow the same airy, pared-back construction.
Works best for short to medium-length settings where personality matters: posters, headlines, packaging, event collateral, and playful branding. It can also serve well in children’s or educational materials and casual UI moments where a friendly, handmade note is desired, while very small sizes may soften the irregular details.
The overall tone is informal and personable, with a quirky, offbeat character that reads like quick marker lettering cleaned up for type. It feels lighthearted and approachable rather than corporate or strictly geometric, lending a spontaneous, crafty energy to text.
Likely designed to capture the charm of casual hand lettering in a clean, readable sans framework. The goal appears to be a distinctive, human texture—slightly imperfect forms and varied spacing—while keeping letter shapes simple and familiar for easy recognition.
In running text the uneven stroke behavior creates lively texture, and spacing feels slightly elastic—some glyphs appear tighter or wider than neighbors, reinforcing the handmade impression. Round letters (O, C, G, Q) keep generous openings, while straight-sided letters (E, F, H, I, L, T) emphasize the font’s tall, linear voice.