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Free for Commercial Use

Sans Superellipse Idrod 5 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Muller Next' by Fontfabric, 'Allotrope' and 'Argumentum' by Kostic, and 'Fact' by ParaType (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, signage, friendly, punchy, retro, playful, confident, impact, approachability, brand voice, modern retro, rounded, soft corners, chunky, compact, high impact.


Free for commercial use
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This typeface is built from dense, blocky strokes with rounded-rectangle curves and soft corners throughout. Counters are generally tight and simple, with broad, flat terminals and minimal interior detailing, giving letters a sturdy, poster-like silhouette. Round characters (O, C, G, 0) read as superelliptical rather than purely circular, while diagonals (V, W, X, Y) are thick and blunt, keeping a consistent heavy rhythm across the alphabet. Lowercase forms are compact and sturdy, with a single-storey a and g and a pronounced, geometric feel that stays consistent in text.

Best suited for display typography where impact and personality are priorities—headlines, poster copy, logos, packaging, and storefront or wayfinding signage. It performs particularly well in short bursts of text, where its compact shapes and strong rhythm create a memorable, graphic voice.

The overall tone is bold and approachable, combining a retro sign-painting energy with a contemporary, geometric friendliness. Its rounded forms and thick joins keep it from feeling severe, while the dense color and simplified shapes make it feel assertive and energetic. In paragraphs or slogans it projects a playful confidence, suited to attention-grabbing messaging.

The design appears aimed at delivering maximum visual weight with a friendly, rounded geometry, balancing strong legibility at display sizes with a playful, contemporary character. Its simplified, superelliptical construction suggests an intention to feel modern and versatile while still nodding to classic, bold advertising styles.

The heaviest strokes and tight counters create strong ink presence, so spacing and line breaks have a big influence on readability in longer settings. Numerals share the same chunky, rounded construction, with clear, compact shapes designed to hold up at display sizes.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸