Sans Other Onse 2 is a bold, wide, monoline, upright, tall x-height font visually similar to 'SbB Powertrain' by Sketchbook B (names referenced only for comparison).
Keywords: headlines, posters, branding, game ui, packaging, techno, arcade, industrial, futuristic, utilitarian, digital styling, retro tech, interface feel, impact display, modular system, octagonal, angular, squared, stencil-like, modular.
A geometric, square-built sans with a modular, octagonal construction. Strokes maintain a consistent thickness and terminate in crisp right angles and chamfered corners, producing a machined silhouette. Counters are largely rectangular, with occasional diagonal cuts that open forms and add a pseudo-stencil feel in letters like S, Z, and the diagonally notched curves. The overall rhythm is compact and blocky, with tall lowercase and simplified curves that read as faceted rather than round.
Best suited for display settings where its angular construction can be appreciated: headlines, posters, logos, game/interface graphics, and tech-leaning packaging. It works particularly well for short phrases and alphanumeric-heavy treatments where the faceted numerals and squared counters reinforce a digital or industrial theme.
The font projects a retro-digital, arcade-like tone with a hard-edged industrial character. Its sharp corners and clipped diagonals suggest circuitry, sci‑fi interfaces, and engineered signage rather than humanist warmth. The mood is assertive and mechanical, with a playful nod to pixel and vector-era display typography.
The design appears intended to translate a grid-based, engineered aesthetic into a clean sans framework, emphasizing chamfered corners and simplified geometry for strong impact. Its consistent stroke system and faceted curves aim to deliver a cohesive techno voice that remains legible while feeling stylized and distinctive.
Distinctive diagonal notches and chamfers appear consistently across rounded shapes and joints, helping unify curves, diagonals, and terminals into one system. The numerals follow the same faceted logic, giving figures a panel-cut look that stays cohesive in mixed alphanumeric settings.