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Free for Commercial Use

Outline Umlo 3 is a regular weight, wide, low contrast, italic, normal x-height font.

Keywords: headlines, posters, logotypes, packaging, signage, vintage, sporty, theatrical, playful, retro, attention grabbing, retro display, dimensional effect, branding, inline, slab serif, oblique, shadowed, decorative.


Free for commercial use
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A slanted serif design built from bold outer contours with a consistent inline cut that creates a hollow, two-stroke effect through most letters. The forms are wide and open, with sturdy slab-like serifs, simplified terminals, and largely uniform stroke thickness, giving the alphabet a strong, poster-like footprint. Curves are smooth and rounded, while joins stay clean and graphic; counters remain generous despite the internal striping, and numerals follow the same outlined, inline construction for a cohesive texture across the set.

Best suited for display settings such as headlines, posters, packaging, and signage where the outlined inline effect can read clearly and contribute character. It can also work for short wordmarks or event branding, especially when a vintage or sporty editorial voice is desired; for body copy, larger sizes and generous spacing will help maintain clarity.

The overall tone feels retro and showy, like classic sign painting or old display advertising where dimension and motion are suggested without true shading. The italic slant and inline detailing add energy and a slightly theatrical flair, making the face feel upbeat and attention-seeking rather than quiet or utilitarian.

The design appears intended to deliver a bold, italicized display voice that combines traditional serif construction with a hollow/inline treatment to suggest depth and highlight. It prioritizes distinctive texture and instant recognition over neutrality, aiming to stand out in branding and titling contexts.

In longer text, the repeating interior cut lines create a rhythmic pattern that reads as a built-in highlight, which can amplify presence at larger sizes but may introduce visual busyness at small sizes or tight spacing. The design’s strength comes from its consistent contour logic and the strong, stable serif structure underneath the decorative treatment.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸