Slab Normal Opmu 2 is a very bold, wide, low contrast, upright, normal x-height font visually similar to 'FS Silas Slab' by Fontsmith, 'Cargan' and 'Orgon Slab' by Hoftype, 'Weekly' by Los Andes, 'Lev Serif' by TypeFaith Fonts, and 'Museo Slab Rounded' by exljbris (names referenced only for comparison).
Keywords: headlines, posters, packaging, signage, brand marks, sturdy, friendly, retro, confident, utilitarian, impact, clarity, approachability, ruggedness, versatility, blocky, bracketed, rounded, softened, dense.
A heavy slab serif with broad proportions and a compact, even color on the page. Strokes are thick and consistent, with chunky, squared serifs that feel slightly softened at the corners and subtly bracketed into the stems. Counters are relatively small and mostly rounded, giving the letters a solid, planted presence; bowls and curves are full and open enough to stay readable at display sizes. The uppercase is wide and stable, while the lowercase shows single-storey forms (notably the a and g) and sturdy, rectangular terminals that reinforce the slab rhythm. Numerals follow the same robust construction, with simplified shapes and strong horizontal feet.
Well-suited to headlines, posters, and short punchy copy where a strong slab presence is an asset. It can work effectively for packaging and signage that need high impact and quick legibility, and it can also support bold brand wordmarks where a sturdy, friendly tone is desired.
The overall tone is bold and approachable—more warm and workmanlike than formal. It carries a vintage, poster-like confidence with an honest, industrial heft, suggesting practicality and reliability while still feeling inviting.
The design appears intended as a dependable, high-impact slab for everyday display use—prioritizing solid construction, consistent rhythm, and straightforward letterforms over delicate detailing. Its softened corners and rounded counters temper the heft to keep the voice approachable rather than severe.
Spacing appears generous enough to keep the dense strokes from clogging, and the rounded inner shapes help maintain clarity in the heaviest areas. The design reads best when allowed to be big and emphatic, where the slab structure and wide set can establish a strong typographic voice.