Sans Normal Bukur 10 is a regular weight, normal width, low contrast, upright, normal x-height font visually similar to 'Neue Helvetica', 'Neue Helvetica Arabic', 'Neue Helvetica Armenian', 'Neue Helvetica Georgian', 'Neue Helvetica Paneuropean', 'Neue Helvetica World', and 'Neue Helvetica eText' by Linotype and 'Europa Grotesk No. 2 SH' by Scangraphic Digital Type Collection (names referenced only for comparison).
Keywords: ui text, signage, editorial, presentations, brand systems, neutral, modern, clean, technical, functional, legibility, neutrality, clarity, versatility, system design, geometric, minimal, open counters, even rhythm, straight terminals.
This sans serif presents clean, geometric construction with smooth circular bowls and largely uniform stroke thickness. Curves are round and open, while straight strokes are crisp and vertical, producing an even, predictable rhythm across lines. Terminals are straightforward and unembellished, with generous apertures in many letters and clear separation between stems and bowls. Numerals follow the same restrained logic, reading plainly with simple, consistent forms.
It works well for UI copy, dashboards, and product typography where even texture and quick character recognition are important. The straightforward forms also suit signage and wayfinding, as well as editorial layouts and presentations that need a clean, unobtrusive sans for headlines and body text.
The overall tone is neutral and contemporary, prioritizing clarity over personality. Its restrained geometry and steady spacing give it a practical, matter-of-fact voice that feels at home in modern interfaces and informational design.
The design appears intended as a general-purpose geometric sans focused on legibility and consistency. Its reduced stylistic cues and even construction suggest it was drawn to perform reliably across a wide range of sizes and communication contexts without calling attention to itself.
The glyph set shown maintains consistent proportions and a calm baseline presence, with minimal idiosyncratic details. Round characters (like O and Q) appear broadly circular, and diagonals (such as in V, W, and X) are clean and direct, supporting a tidy, systematic look in display and text settings.