Sans Faceted Livu 1 is a regular weight, wide, monoline, upright, normal x-height font.
Keywords: headlines, ui labels, posters, game titles, branding, techy, futuristic, industrial, retro digital, mechanical, angular system, tech styling, display impact, modular geometry, octagonal, chamfered, angular, geometric, stencil-like.
A geometric, faceted sans built from straight strokes and chamfered corners that replace curves with crisp planar cuts. The strokes keep a consistent thickness, while counters and bowls read as squared and octagonal forms, producing a modular, engineered rhythm. Proportions are on the expanded side with generous horizontal space, and joins are clean and deliberate, giving the alphabet a sharp, constructed silhouette. Lowercase forms echo the same angular system, with single-storey shapes and minimal contrast that keep the texture even in longer lines.
Well-suited to display settings where angular geometry is a feature: tech branding, sci‑fi or industrial posters, game titles, interface labels, dashboards, and product or packaging applications that benefit from a precise, constructed look. It can also work for short blocks of copy when a strong, digital texture is desired and sizes are kept comfortably readable.
The overall tone is technical and sci‑fi, with a disciplined, machined feel reminiscent of digital interfaces and hard-surface design. Its faceting adds an assertive, slightly retro-futuristic flavor—more “panel cut” than “pen drawn”—which reads confident and utilitarian rather than friendly or calligraphic.
The design appears intended to translate a hard-edged, faceted construction system across the full alphanumeric set, prioritizing sharp corners, consistent stroke logic, and a modern technical presence. It aims for immediate recognizability through repeated chamfers and squared counters, creating a cohesive, modular voice for contemporary display typography.
The font’s squared terminals and repeated corner angles create strong patterning, especially in uppercase and numerals. The numeral set follows the same octagonal logic, and the punctuation shown in the specimen blends in without introducing round forms, maintaining a consistently angular voice.