Sans Superellipse Valum 2 is a regular weight, very wide, low contrast, upright, tall x-height font visually similar to 'Hyperspace Race' and 'Hyperspace Race Capsule' by Swell Type (names referenced only for comparison).
Keywords: ui design, app branding, tech marketing, product labels, headlines, futuristic, tech, clean, sleek, modular, digital aesthetic, system coherence, geometric branding, modern legibility, rounded, squared, geometric, extended, monoline.
A geometric sans built from rounded-rectangle and superellipse forms, with smooth corners and largely monoline strokes. Curves are boxy rather than circular, and counters tend toward rounded squares, giving the alphabet a modular, engineered feel. Proportions are expanded and the rhythm is open, with generous internal space and simplified joins; diagonals and terminals stay crisp while maintaining softened corners. Numerals and lowercase echo the same squircle geometry, producing a consistent, system-like texture in text.
Well-suited to interface typography, dashboards, and product ecosystems where a clean, engineered shape language helps support a modern visual system. It also works effectively for tech and gaming headlines, packaging, and brand marks that benefit from a wide, geometric presence and distinctive squircle counters.
The overall tone reads contemporary and technology-forward, combining friendly rounding with a precise, constructed skeleton. Its squarish curves and wide stance evoke digital interfaces, sci‑fi titling, and modern industrial branding while remaining approachable rather than aggressive.
The font appears intended to translate digital, grid-based geometry into a readable sans by substituting circular curves with rounded-rectangular forms. The goal seems to be a futuristic, system-ready aesthetic that stays consistent across uppercase, lowercase, and numerals while remaining clear in short to medium text settings.
The design relies on repeated radii and consistent corner treatment across straight and curved strokes, creating strong visual cohesion. Round letters like O/Q and bowls in B/P/R look more like rounded frames than classic ellipses, and the lowercase maintains the same modular logic for a unified voice across sizes.