Cursive Idda 2 is a regular weight, very narrow, medium contrast, upright, short x-height font.
Keywords: quotes, packaging, posters, invitations, greeting cards, casual, playful, personal, organic, lively, handwritten feel, friendly tone, quick brush, expressive display, compact headlines, brushy, monoline, textured, bouncy, loose.
A casual handwritten script with a brush-pen feel, showing slightly irregular stroke edges and natural pressure changes. Letters are generally upright with a narrow, compact footprint and tight internal spacing, while individual glyph widths vary for a spontaneous rhythm. Strokes are mostly monoline in impression but with mild thick–thin modulation, rounded terminals, and occasional tapered entries. The lowercase is small relative to the capitals, and many forms use simplified, looped constructions that keep words flowing without strict, continuous joining.
This font works best for short-to-medium headlines, quotes, and branding moments where a personal, handwritten voice is desired—such as packaging labels, café menus, event invitations, greeting cards, and social graphics. It can also support light body copy at larger sizes, especially when the layout allows for its bouncy rhythm and varying letter widths.
The overall tone is friendly and informal, like quick note-taking with a confident marker. Its unevenness and lively proportions read as human and approachable rather than polished or formal, giving it a warm, handmade character suited to conversational messaging.
The design appears intended to capture an authentic, hand-drawn brush script look—prioritizing personality, speed, and natural variation over rigid uniformity. Its narrow, upright forms and compact lowercase suggest a goal of fitting expressive handwriting into tight headline spaces while keeping an easygoing, friendly feel.
Capital letters are tall and gestural, with a few distinctive, flourish-like shapes that stand out in display settings. Counters tend to be open and generous, helping the script remain readable despite the narrow build and energetic stroke movement. Numerals and punctuation follow the same relaxed, drawn style and look best when used with moderate tracking and comfortable line spacing.