Print Digaf 1 is a very light, very narrow, medium contrast, upright, very short x-height font.
Keywords: headlines, posters, invitations, packaging, quotes, whimsical, airy, playful, delicate, retro, hand-drawn charm, playful display, lightweight texture, quirky elegance, monoline, spindly, tall, bouncy, naïve.
A very thin, sketch-like print face with tall proportions and a loose, hand-drawn regularity. Strokes are mostly monoline but show subtle pressure-like variation and tapering at terminals, with occasional wobbly curves that keep the texture lively. Uppercase forms are narrow and elongated with simple geometric construction, while lowercase is small and slight, creating a pronounced scale contrast between cases. Curves are open and lightly rounded (notably in O/C/G), and many letters use minimal detailing with long, straight stems and short, understated crossbars.
Best suited to display settings where its thin strokes and tall, narrow shapes can be appreciated—headlines, short slogans, posters, invitations, labels, and packaging. It can add personality to quotes and small blocks of text at larger sizes, especially when a light, handmade texture is desired. In dense paragraphs or very small sizes, the delicate strokes and small lowercase may reduce clarity.
The font reads as lighthearted and quirky, with a breezy, informal tone that feels doodled rather than engineered. Its thin, spindly rhythm adds a gentle, whimsical elegance while keeping an intentionally naïve, human character. The overall impression is playful and slightly retro, like handwritten titling on a poster or notebook cover.
The design appears intended to mimic lightly penned, unconnected handwriting with a refined, elongated silhouette. It aims for a casual, human irregularity while maintaining recognizable print-letter structure for easy reading in short display lines.
Spacing and widths vary noticeably from glyph to glyph, reinforcing the hand-rendered feel and giving text a bouncy cadence. The numerals are similarly delicate and narrow, with simple silhouettes that match the minimal stroke treatment. The very small lowercase presence makes mixed-case text feel more like uppercase-led titling than body copy.