Sans Superellipse Gubat 11 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Camore' by Maulana Creative, 'Obvia' by Typefolio, and 'Great Escape' by Typodermic (names referenced only for comparison).
Keywords: headlines, branding, posters, signage, packaging, confident, modern, friendly, industrial, sporty, impact, clarity, modernity, approachability, rounded, blocky, compact, soft-cornered, geometric.
A heavy, compact sans with rounded-rectangle construction and soft corners throughout. Curves resolve into broad, flattened arcs rather than perfect circles, giving bowls and counters a squarish, superelliptical feel. Strokes are consistently thick with minimal modulation, terminals are clean and largely horizontal/vertical, and joins stay blunt and sturdy. Uppercase forms are wide and stable; lowercase shows single-storey shapes in several letters and maintains generous internal counters for clarity at large sizes. Numerals follow the same rounded, blocky logic with strong horizontals and sturdy curves.
Best suited to headlines, display typography, and short bursts of text where weight and geometry can carry a strong visual identity. It should perform well in branding systems, packaging, posters, and wayfinding/signage contexts that benefit from bold, rounded-technical forms.
The overall tone is assertive and contemporary, balancing a technical, engineered rhythm with approachable softness from the rounded corners. It reads as confident and energetic rather than delicate, with a slightly sporty, signage-like presence.
Likely intended as a modern display sans that combines geometric discipline with softened corners to feel both robust and friendly. The consistent stroke weight and compact proportions suggest a focus on high-impact readability and a distinctive, contemporary silhouette.
The design leans on squarish counters and tight apertures that create a dense, impactful texture in lines of text. Round letters like O/Q and digits like 0/8/9 emphasize the superelliptical geometry, while straight-sided letters keep a crisp, structured cadence.