Sans Other Uhvy 3 is a light, narrow, high contrast, upright, tall x-height font.
Keywords: headlines, posters, branding, game ui, tech labels, techno, sci‑fi, industrial, retro, cryptic, futurism, systematic, distinctiveness, modularity, display impact, angular, monolinear, rectilinear, condensed, geometric.
A sharply rectilinear sans built from straight strokes and hard corners, with near‑monoline construction that sometimes breaks into open joins and inset counters. Proportions are condensed and vertically emphatic, with narrow bowls and tall, boxy interior spaces that give many letters a framed, modular feel. Curves are minimized; round forms like O and C read as squared or chamferless rectangles, and diagonals (V, W, X) are drawn with crisp straight segments. Spacing and widths vary per glyph, creating a slightly irregular, engineered rhythm that feels intentionally schematic rather than strictly uniform.
Best suited to short display settings such as headlines, posters, album/cover art, and branding that aims for a mechanical or futuristic edge. It can also work for game UI, on‑screen overlays, product markings, or tech‑themed graphics where the modular, coded look reinforces the message, while long-form reading is less ideal due to the atypical constructions.
The overall tone is technical and futuristic, reminiscent of display lettering used for interfaces, machinery labels, and speculative sci‑fi titling. Its angular construction and occasional open segments lend a coded, stencil‑like atmosphere that feels edgy and synthetic rather than friendly or humanist.
This design appears intended to translate a modular, grid-driven drawing logic into a condensed sans, prioritizing a distinctive engineered silhouette over conventional typographic softness. The goal seems to be a stylized, system-like alphabet that evokes signage, terminals, and schematic lettering while staying recognizable across upper- and lowercase forms.
Distinctive details include squared, compartmentalized counters (notably in B, 8, and 0‑like forms), a single‑storey, boxy a and e, and simplified punctuation with minimal terminals. At text sizes the rigid geometry remains legible, but the unconventional joins and narrow internal spaces make it read best when given room and contrast against clean backgrounds.